BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Groundbreakers: Post-War Japan and Korea from the DMA Collecti
 on
X-WR-TIMEZONE:Central Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571091683
DTSTART;VALUE=DATE:20250906
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571092708
DTSTART;VALUE=DATE:20250907
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571094757
DTSTART;VALUE=DATE:20250908
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571095782
DTSTART;VALUE=DATE:20250909
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571096807
DTSTART;VALUE=DATE:20250910
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571097832
DTSTART;VALUE=DATE:20250911
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571099881
DTSTART;VALUE=DATE:20250912
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571101930
DTSTART;VALUE=DATE:20250913
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571102955
DTSTART;VALUE=DATE:20250914
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571105004
DTSTART;VALUE=DATE:20250915
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571106029
DTSTART;VALUE=DATE:20250916
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571108078
DTSTART;VALUE=DATE:20250917
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571109103
DTSTART;VALUE=DATE:20250918
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571111152
DTSTART;VALUE=DATE:20250919
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571112177
DTSTART;VALUE=DATE:20250920
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571114226
DTSTART;VALUE=DATE:20250921
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571116275
DTSTART;VALUE=DATE:20250922
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571117300
DTSTART;VALUE=DATE:20250923
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571119349
DTSTART;VALUE=DATE:20250924
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571120374
DTSTART;VALUE=DATE:20250925
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571122423
DTSTART;VALUE=DATE:20250926
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571123448
DTSTART;VALUE=DATE:20250927
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571125497
DTSTART;VALUE=DATE:20250928
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571126522
DTSTART;VALUE=DATE:20250929
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571128571
DTSTART;VALUE=DATE:20250930
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571129596
DTSTART;VALUE=DATE:20251001
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571131645
DTSTART;VALUE=DATE:20251002
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571132670
DTSTART;VALUE=DATE:20251003
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571134719
DTSTART;VALUE=DATE:20251004
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571135744
DTSTART;VALUE=DATE:20251005
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571137793
DTSTART;VALUE=DATE:20251006
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571139842
DTSTART;VALUE=DATE:20251007
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571140867
DTSTART;VALUE=DATE:20251008
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571142916
DTSTART;VALUE=DATE:20251009
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571143941
DTSTART;VALUE=DATE:20251010
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571145990
DTSTART;VALUE=DATE:20251011
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571147015
DTSTART;VALUE=DATE:20251012
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571149064
DTSTART;VALUE=DATE:20251013
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571150089
DTSTART;VALUE=DATE:20251014
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571152138
DTSTART;VALUE=DATE:20251015
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571153163
DTSTART;VALUE=DATE:20251016
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571157260
DTSTART;VALUE=DATE:20251017
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571158285
DTSTART;VALUE=DATE:20251018
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571160334
DTSTART;VALUE=DATE:20251019
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571162383
DTSTART;VALUE=DATE:20251020
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571163408
DTSTART;VALUE=DATE:20251021
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571164433
DTSTART;VALUE=DATE:20251022
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571166482
DTSTART;VALUE=DATE:20251023
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571167507
DTSTART;VALUE=DATE:20251024
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571169556
DTSTART;VALUE=DATE:20251025
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571170581
DTSTART;VALUE=DATE:20251026
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571172630
DTSTART;VALUE=DATE:20251027
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571173655
DTSTART;VALUE=DATE:20251028
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571175704
DTSTART;VALUE=DATE:20251029
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571176729
DTSTART;VALUE=DATE:20251030
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571179802
DTSTART;VALUE=DATE:20251031
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571181851
DTSTART;VALUE=DATE:20251101
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571183900
DTSTART;VALUE=DATE:20251102
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571184925
DTSTART;VALUE=DATE:20251103
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571186974
DTSTART;VALUE=DATE:20251104
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571189023
DTSTART;VALUE=DATE:20251105
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571190048
DTSTART;VALUE=DATE:20251106
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571192097
DTSTART;VALUE=DATE:20251107
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571194146
DTSTART;VALUE=DATE:20251108
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571196195
DTSTART;VALUE=DATE:20251109
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571199268
DTSTART;VALUE=DATE:20251110
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571201317
DTSTART;VALUE=DATE:20251111
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571203366
DTSTART;VALUE=DATE:20251112
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235627Z
UID:tag:localist.com\,2008:EventInstance_50772571205415
DTSTART;VALUE=DATE:20251113
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571207464
DTSTART;VALUE=DATE:20251114
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571209513
DTSTART;VALUE=DATE:20251115
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571212586
DTSTART;VALUE=DATE:20251116
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571213611
DTSTART;VALUE=DATE:20251117
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571215660
DTSTART;VALUE=DATE:20251118
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571217709
DTSTART;VALUE=DATE:20251119
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571220782
DTSTART;VALUE=DATE:20251120
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571222831
DTSTART;VALUE=DATE:20251121
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571223856
DTSTART;VALUE=DATE:20251122
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571226929
DTSTART;VALUE=DATE:20251123
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571227954
DTSTART;VALUE=DATE:20251124
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571230003
DTSTART;VALUE=DATE:20251125
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571232052
DTSTART;VALUE=DATE:20251126
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571234101
DTSTART;VALUE=DATE:20251127
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571235126
DTSTART;VALUE=DATE:20251128
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571237175
DTSTART;VALUE=DATE:20251129
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571238200
DTSTART;VALUE=DATE:20251130
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571240249
DTSTART;VALUE=DATE:20251201
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571242298
DTSTART;VALUE=DATE:20251202
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571243323
DTSTART;VALUE=DATE:20251203
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571245372
DTSTART;VALUE=DATE:20251204
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571246397
DTSTART;VALUE=DATE:20251205
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571248446
DTSTART;VALUE=DATE:20251206
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571249471
DTSTART;VALUE=DATE:20251207
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571251520
DTSTART;VALUE=DATE:20251208
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571252545
DTSTART;VALUE=DATE:20251209
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571254594
DTSTART;VALUE=DATE:20251210
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571256643
DTSTART;VALUE=DATE:20251211
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571257668
DTSTART;VALUE=DATE:20251212
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235628Z
UID:tag:localist.com\,2008:EventInstance_50772571258693
DTSTART;VALUE=DATE:20251213
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571260742
DTSTART;VALUE=DATE:20251214
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571261767
DTSTART;VALUE=DATE:20251215
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571262792
DTSTART;VALUE=DATE:20251216
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571264841
DTSTART;VALUE=DATE:20251217
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571265866
DTSTART;VALUE=DATE:20251218
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571267915
DTSTART;VALUE=DATE:20251219
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571268940
DTSTART;VALUE=DATE:20251220
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571269965
DTSTART;VALUE=DATE:20251221
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571272014
DTSTART;VALUE=DATE:20251222
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571273039
DTSTART;VALUE=DATE:20251223
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571274064
DTSTART;VALUE=DATE:20251224
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571276113
DTSTART;VALUE=DATE:20251225
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571277138
DTSTART;VALUE=DATE:20251226
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571278163
DTSTART;VALUE=DATE:20251227
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571280212
DTSTART;VALUE=DATE:20251228
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571282261
DTSTART;VALUE=DATE:20251229
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571285334
DTSTART;VALUE=DATE:20251230
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571287383
DTSTART;VALUE=DATE:20251231
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571290456
DTSTART;VALUE=DATE:20260101
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571291481
DTSTART;VALUE=DATE:20260102
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571293530
DTSTART;VALUE=DATE:20260103
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571294555
DTSTART;VALUE=DATE:20260104
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571295580
DTSTART;VALUE=DATE:20260105
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571297629
DTSTART;VALUE=DATE:20260106
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571299678
DTSTART;VALUE=DATE:20260107
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571300703
DTSTART;VALUE=DATE:20260108
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571302752
DTSTART;VALUE=DATE:20260109
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571303777
DTSTART;VALUE=DATE:20260110
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571305826
DTSTART;VALUE=DATE:20260111
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571307875
DTSTART;VALUE=DATE:20260112
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571308900
DTSTART;VALUE=DATE:20260113
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571310949
DTSTART;VALUE=DATE:20260114
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571311974
DTSTART;VALUE=DATE:20260115
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571314023
DTSTART;VALUE=DATE:20260116
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571315048
DTSTART;VALUE=DATE:20260117
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571317097
DTSTART;VALUE=DATE:20260118
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571318122
DTSTART;VALUE=DATE:20260119
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571320171
DTSTART;VALUE=DATE:20260120
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571321196
DTSTART;VALUE=DATE:20260121
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571322221
DTSTART;VALUE=DATE:20260122
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571324270
DTSTART;VALUE=DATE:20260123
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571326319
DTSTART;VALUE=DATE:20260124
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571327344
DTSTART;VALUE=DATE:20260125
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571329393
DTSTART;VALUE=DATE:20260126
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571331442
DTSTART;VALUE=DATE:20260127
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571333491
DTSTART;VALUE=DATE:20260128
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571334516
DTSTART;VALUE=DATE:20260129
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571336565
DTSTART;VALUE=DATE:20260130
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571337590
DTSTART;VALUE=DATE:20260131
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571339639
DTSTART;VALUE=DATE:20260201
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571341688
DTSTART;VALUE=DATE:20260202
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571345785
DTSTART;VALUE=DATE:20260203
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571347834
DTSTART;VALUE=DATE:20260204
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571349883
DTSTART;VALUE=DATE:20260205
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571350908
DTSTART;VALUE=DATE:20260206
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571352957
DTSTART;VALUE=DATE:20260207
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571353982
DTSTART;VALUE=DATE:20260208
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571356031
DTSTART;VALUE=DATE:20260209
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571357056
DTSTART;VALUE=DATE:20260210
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571358081
DTSTART;VALUE=DATE:20260211
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571360130
DTSTART;VALUE=DATE:20260212
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571362179
DTSTART;VALUE=DATE:20260213
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571363204
DTSTART;VALUE=DATE:20260214
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571365253
DTSTART;VALUE=DATE:20260215
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571367302
DTSTART;VALUE=DATE:20260216
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571369351
DTSTART;VALUE=DATE:20260217
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571370376
DTSTART;VALUE=DATE:20260218
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571372425
DTSTART;VALUE=DATE:20260219
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571374474
DTSTART;VALUE=DATE:20260220
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571376523
DTSTART;VALUE=DATE:20260221
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571377548
DTSTART;VALUE=DATE:20260222
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571379597
DTSTART;VALUE=DATE:20260223
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571382670
DTSTART;VALUE=DATE:20260224
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571383695
DTSTART;VALUE=DATE:20260225
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571385744
DTSTART;VALUE=DATE:20260226
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571388817
DTSTART;VALUE=DATE:20260227
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571390866
DTSTART;VALUE=DATE:20260228
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571393939
DTSTART;VALUE=DATE:20260301
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571394964
DTSTART;VALUE=DATE:20260302
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571398037
DTSTART;VALUE=DATE:20260303
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571400086
DTSTART;VALUE=DATE:20260304
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571402135
DTSTART;VALUE=DATE:20260305
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571403160
DTSTART;VALUE=DATE:20260306
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571405209
DTSTART;VALUE=DATE:20260307
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571408282
DTSTART;VALUE=DATE:20260308
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235629Z
UID:tag:localist.com\,2008:EventInstance_50772571410331
DTSTART;VALUE=DATE:20260309
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571412380
DTSTART;VALUE=DATE:20260310
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571415453
DTSTART;VALUE=DATE:20260311
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571418526
DTSTART;VALUE=DATE:20260312
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571421599
DTSTART;VALUE=DATE:20260313
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571423648
DTSTART;VALUE=DATE:20260314
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571429793
DTSTART;VALUE=DATE:20260315
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571432866
DTSTART;VALUE=DATE:20260316
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571436963
DTSTART;VALUE=DATE:20260317
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571440036
DTSTART;VALUE=DATE:20260318
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571443109
DTSTART;VALUE=DATE:20260319
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571445158
DTSTART;VALUE=DATE:20260320
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571448231
DTSTART;VALUE=DATE:20260321
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571450280
DTSTART;VALUE=DATE:20260322
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571452329
DTSTART;VALUE=DATE:20260323
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571453354
DTSTART;VALUE=DATE:20260324
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571455403
DTSTART;VALUE=DATE:20260325
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571458476
DTSTART;VALUE=DATE:20260326
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571459501
DTSTART;VALUE=DATE:20260327
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571461550
DTSTART;VALUE=DATE:20260328
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571462575
DTSTART;VALUE=DATE:20260329
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571464624
DTSTART;VALUE=DATE:20260330
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571467697
DTSTART;VALUE=DATE:20260331
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571468722
DTSTART;VALUE=DATE:20260401
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571470771
DTSTART;VALUE=DATE:20260402
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571471796
DTSTART;VALUE=DATE:20260403
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571474869
DTSTART;VALUE=DATE:20260404
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571477942
DTSTART;VALUE=DATE:20260405
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571479991
DTSTART;VALUE=DATE:20260406
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571482040
DTSTART;VALUE=DATE:20260407
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571484089
DTSTART;VALUE=DATE:20260408
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571485114
DTSTART;VALUE=DATE:20260409
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571487163
DTSTART;VALUE=DATE:20260410
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571490236
DTSTART;VALUE=DATE:20260411
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571491261
DTSTART;VALUE=DATE:20260412
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571493310
DTSTART;VALUE=DATE:20260413
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571495359
DTSTART;VALUE=DATE:20260414
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571497408
DTSTART;VALUE=DATE:20260415
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571498433
DTSTART;VALUE=DATE:20260416
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571500482
DTSTART;VALUE=DATE:20260417
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571503555
DTSTART;VALUE=DATE:20260418
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571505604
DTSTART;VALUE=DATE:20260419
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571508677
DTSTART;VALUE=DATE:20260420
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571510726
DTSTART;VALUE=DATE:20260421
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571511751
DTSTART;VALUE=DATE:20260422
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571513800
DTSTART;VALUE=DATE:20260423
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571515849
DTSTART;VALUE=DATE:20260424
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571516874
DTSTART;VALUE=DATE:20260425
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571519947
DTSTART;VALUE=DATE:20260426
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571521996
DTSTART;VALUE=DATE:20260427
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571523021
DTSTART;VALUE=DATE:20260428
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571525070
DTSTART;VALUE=DATE:20260429
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571526095
DTSTART;VALUE=DATE:20260430
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571528144
DTSTART;VALUE=DATE:20260501
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571529169
DTSTART;VALUE=DATE:20260502
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571531218
DTSTART;VALUE=DATE:20260503
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571532243
DTSTART;VALUE=DATE:20260504
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571534292
DTSTART;VALUE=DATE:20260505
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571536341
DTSTART;VALUE=DATE:20260506
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571539414
DTSTART;VALUE=DATE:20260507
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571542487
DTSTART;VALUE=DATE:20260508
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571544536
DTSTART;VALUE=DATE:20260509
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571545561
DTSTART;VALUE=DATE:20260510
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571547610
DTSTART;VALUE=DATE:20260511
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571549659
DTSTART;VALUE=DATE:20260512
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571550684
DTSTART;VALUE=DATE:20260513
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571552733
DTSTART;VALUE=DATE:20260514
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571556830
DTSTART;VALUE=DATE:20260515
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571559903
DTSTART;VALUE=DATE:20260516
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571562976
DTSTART;VALUE=DATE:20260517
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571567073
DTSTART;VALUE=DATE:20260518
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571571170
DTSTART;VALUE=DATE:20260519
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571573219
DTSTART;VALUE=DATE:20260520
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571574244
DTSTART;VALUE=DATE:20260521
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571576293
DTSTART;VALUE=DATE:20260522
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571580390
DTSTART;VALUE=DATE:20260523
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571584487
DTSTART;VALUE=DATE:20260524
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571587560
DTSTART;VALUE=DATE:20260525
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571590633
DTSTART;VALUE=DATE:20260526
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571592682
DTSTART;VALUE=DATE:20260527
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571596779
DTSTART;VALUE=DATE:20260528
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571598828
DTSTART;VALUE=DATE:20260529
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571600877
DTSTART;VALUE=DATE:20260530
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571601902
DTSTART;VALUE=DATE:20260531
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571603951
DTSTART;VALUE=DATE:20260601
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571604976
DTSTART;VALUE=DATE:20260602
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571607025
DTSTART;VALUE=DATE:20260603
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571608050
DTSTART;VALUE=DATE:20260604
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571610099
DTSTART;VALUE=DATE:20260605
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571611124
DTSTART;VALUE=DATE:20260606
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571613173
DTSTART;VALUE=DATE:20260607
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571614198
DTSTART;VALUE=DATE:20260608
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571616247
DTSTART;VALUE=DATE:20260609
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571617272
DTSTART;VALUE=DATE:20260610
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571619321
DTSTART;VALUE=DATE:20260611
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571621370
DTSTART;VALUE=DATE:20260612
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571622395
DTSTART;VALUE=DATE:20260613
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571624444
DTSTART;VALUE=DATE:20260614
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571625469
DTSTART;VALUE=DATE:20260615
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571628542
DTSTART;VALUE=DATE:20260616
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571630591
DTSTART;VALUE=DATE:20260617
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571631616
DTSTART;VALUE=DATE:20260618
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571632641
DTSTART;VALUE=DATE:20260619
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571635714
DTSTART;VALUE=DATE:20260620
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571638787
DTSTART;VALUE=DATE:20260621
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571640836
DTSTART;VALUE=DATE:20260622
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571641861
DTSTART;VALUE=DATE:20260623
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571643910
DTSTART;VALUE=DATE:20260624
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235630Z
UID:tag:localist.com\,2008:EventInstance_50772571644935
DTSTART;VALUE=DATE:20260625
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571645960
DTSTART;VALUE=DATE:20260626
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571648009
DTSTART;VALUE=DATE:20260627
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571649034
DTSTART;VALUE=DATE:20260628
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571650059
DTSTART;VALUE=DATE:20260629
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571652108
DTSTART;VALUE=DATE:20260630
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571654157
DTSTART;VALUE=DATE:20260701
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571655182
DTSTART;VALUE=DATE:20260702
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571657231
DTSTART;VALUE=DATE:20260703
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571659280
DTSTART;VALUE=DATE:20260704
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571660305
DTSTART;VALUE=DATE:20260705
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571662354
DTSTART;VALUE=DATE:20260706
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571663379
DTSTART;VALUE=DATE:20260707
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571665428
DTSTART;VALUE=DATE:20260708
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571667477
DTSTART;VALUE=DATE:20260709
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571669526
DTSTART;VALUE=DATE:20260710
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571671575
DTSTART;VALUE=DATE:20260711
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571674648
DTSTART;VALUE=DATE:20260712
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571676697
DTSTART;VALUE=DATE:20260713
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571678746
DTSTART;VALUE=DATE:20260714
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571680795
DTSTART;VALUE=DATE:20260715
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571681820
DTSTART;VALUE=DATE:20260716
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571683869
DTSTART;VALUE=DATE:20260717
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571684894
DTSTART;VALUE=DATE:20260718
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571685919
DTSTART;VALUE=DATE:20260719
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571687968
DTSTART;VALUE=DATE:20260720
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571688993
DTSTART;VALUE=DATE:20260721
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571691042
DTSTART;VALUE=DATE:20260722
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571693091
DTSTART;VALUE=DATE:20260723
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571695140
DTSTART;VALUE=DATE:20260724
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571696165
DTSTART;VALUE=DATE:20260725
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T235631Z
UID:tag:localist.com\,2008:EventInstance_50772571698214
DTSTART;VALUE=DATE:20260726
DESCRIPTION:September 6\, 2025 - July 26\, 2026\n\nGroundbreakers brings to
 gether artists who played with materiality\, space\, and performance in po
 stwar Japan and Korea after the 1950s. Moving beyond the hand\, some artis
 ts used unexpected parts of their bodies to make their marks: Shiraga pain
 ted with his feet and Matsutani used his mouth to create vinyl bubbles. By
  extension\, their bodily performances became part of their art. The objec
 ts and paintings themselves are testaments to the ephemeral nature of thei
 r energetic performance.\n\nOther artists of this period upended the imple
 ment of the brush by pouring directly onto the canvas or experimented furt
 her with materiality by using different mediums\, such as tin. Proponents 
 of three art movements—Mono-ha\, Dansaekhwa\, and Gutai—rigorously int
 errogated and explored artistic performances\, playful use of materials\, 
 experimentations with new techniques\, a commitment to direct gestures\, a
 nd a reorientation of subject and object. Through it all\, the very proces
 s and stages of presenting objects became as important as the final art fo
 rm.\n\nA common visual thread amongst these artists is a commitment to abs
 traction and minimalism. These art forms of painting\, sound\, and install
 ation are meant to be participatory\, expanding how the viewer interacts w
 ith works of art. Challenging traditional ideas of art\, each object is a 
 transformative site that discourages passive looking. In the case of Takam
 atsu’s Cube 6 + 3\, which greets visitors at the entrance of the exhibit
 ion\, the artist’s simple application of lines onto a three-dimensional 
 cube alters our perception of space and depth.\n\nTwo contemporary artists
 \, Tatsuo Miyajima and Do Ho Suh\, are positioned as means to provoke a di
 alogue and conversation about the antecedents and legacy of performance ar
 t for contemporary artists and its twin accompaniment the viewer/participa
 nt.\n\nThis exhibition is organized by The University of Texas at Dallas i
 n collaboration with The Dallas Museum of Art.\n\nOn view at the Edith and
  Peter O'Donnell Jr. Athenaeum.\n\nAthenaeum hours: 11 a.m. to 5 p.m. Tues
 day through Sunday. Free admission.
GEO:32.983817;-96.747249
LOCATION:Edith and Peter O’Donnell Jr. Athenaeum\, Phase I (APC1)\, Dalla
 s Museum of Art Gallery
SUMMARY:Groundbreakers: Post-War Japan and Korea from the DMA Collection
URL;VALUE=URI:https://calendar.utdallas.edu/event/groundbreakers-post-war-j
 apan-and-korea-from-the-dma-collection
CATEGORIES:Arts & Performances
END:VEVENT
END:VCALENDAR